Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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unknow artist
Still life floral, all kinds of reality flowers oil painting 342

ID: 48349

unknow artist Still life floral, all kinds of reality flowers oil painting  342
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unknow artist Still life floral, all kinds of reality flowers oil painting  342


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unknow artist

  Related Paintings of unknow artist :. | Classical hunting fox, Equestrian and Beautiful Horses, 086. | Procession of Canons | den dode prinsen aterfordes till slotet i wien | Sancta Lilias | There are saints and the altar painting of Our Lady of the Angels |
Related Artists:
Julius Payer
Julius Johannes Ludovicus Ritter von Payer (2 September 1841 - 19 August 1915) was an Austro-Hungarian arctic explorer and an Arctic landscape artist. Born Julius Payer, his father Franz Anton Rudolf Payer was a retired officer who died when Julius was only fourteen. Payer attended k.k. cadet school in Lobzowa near Krakew (now Poland). Between 1857 and 1859 he studied at the Theresian Military Academy in Wiener Neustadt (near Vienna). In 1859 he served as a sub-lieutenant with the 36th. infantry regiment in Verona, Northern Italy. He participated in the 1859 Battle of Solferino. Between 1860 and 1863 he served at the garrison in Verona, Italy. In 1863 Payer was assigned as a history teacher to the cadet school in Eisenstadt, Austria. After promotion to the rank of lieutenant first class he was posted to the garrison of Venetia. In 1862 he started exploratory tours of the Italian Alps and Hohe Tauern in his free time. From 1864-1868 he explored the Adamello-Presanella Group and the Ortler Alps. He was the first to climb Adamello (3554m). His tours resulted in creating a detailed topographical map at a scale 1:56,000. Due to his achievements, Payer was transferred to the Austrian Military Cartographical Institute in Vienna.
Willem Drost
Dutch Baroque Era Painter, ca.1630-1680 Dutch painter, draughtsman and printmaker, possibly of German origin. According to Houbraken, he was a pupil of Rembrandt, possibly in or shortly before 1650. An early etching signed w drost 1652 is probably a self-portrait, in which Drost portrayed himself as a young man drawing. His earliest dated paintings are two pendants of 1653: the Portrait of a Man (New York, Met.) and the Portrait of a Woman .
Egedius, Halfdan
1877-1899,Norwegian painter and illustrator. His artistic education began at the age of nine, when he enrolled at the school of art of Knud Bergslien (1827-1908) in Kristiania, where he was a pupil from 1886 to 1889. Even from this early period his painted studies and drawings, for instance of his sister Signe and brother Carl (both 1887; Oslo, N.G.), reveal striking maturity. In 1891 he was a pupil of Erik Werenskiold and from 1891 to 1892 he studied at the Arts and Crafts School in Kristiania. Egedius discovered his strongest impetus and greatest inspiration, however, on his first visit to Telemark in south-west Norway in summer 1892. The artist Torleif Stadskleiv (1865-1946), whom he met there and who became his closest friend, endeared the region to Egedius with stories of its traditions and people. In 1894 Egedius studied for a short period under Harriet Backer, and he made his d?but at the Kristiania Autumn Exhibition in 1894 with the painting Saturday Evening (Oslo, N.G.), painted in Telemark the previous year, which won high praise. In this landscape the atmosphere of the summer night is rendered with a lyrical use of colour and soft brushstrokes. Egedius spent the summer of 1894 in the inspiring and instructive company of a group of artists at V?g? in the Gudbrands Valley in north-west Norway, but for the summer of 1895 he was again in Telemark. Since his previous stay there he had matured artistically and his work now revealed a new confidence and boldness. The most notable paintings from 1895 are 'Juvrestolen' in Telemark, The Dreamer, Girls Dancing and the magnificent portrait of Mari Clasen (all Oslo, N.G.). He also began work on Music and Dance (Oslo, N.G., see fig.), which he continued the following year.






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